
Silver Mountain
Year: 2007
Sounds Like:
Drive-by Truckers + Marah
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Chugging out of Motor City, the Deadstring Brothers churn out a mix of country-soul and rhythm-'n'-blues rock 'n' roll, reminiscent of late'60s-mid-'70s Stones and the Faces, with a hint of Allman Brothers Wipe the Windows-era southern rock. And, with their third effort, Silver Mountain, the band has released the best country-blues rock album (maybe the best rock album) of the year.
Like their previous releases, The Deadstring Brothers and Starving Winter Report, their new CD is filled with memorable hooks, wonderfully loose licks, smart lyrics and catchy choruses, eddying along on dobro- and steel-threaded grooves. Consistency is the band's trademark, and there's no fill here.
The album opens with the churning AC/DC-like Ain't No Hiding Love, which has a familiar Keef-style dirty lick, with a distorted slide overlay. Singing is shared by Kurt Marschke and Marsha Marjieh and the pair kick out good and proper when they next launch into Meet Me Down at Heavy Load, a rollicking, whiskey-soaked Faces-inspired rocker, before rolling into the beautiful If You Want Me To, which could have been an Exile On Main Street out-take. Every track is a gem, but the achingly soulful title track; Queen of the Scene, with driving slide; the raw and scratchy blues of Some Kind of User; and the honky tonkin' You Look Like the Devil urge replay.
Hit the road, windows down and turn up the volume.
Like their previous releases, The Deadstring Brothers and Starving Winter Report, their new CD is filled with memorable hooks, wonderfully loose licks, smart lyrics and catchy choruses, eddying along on dobro- and steel-threaded grooves. Consistency is the band's trademark, and there's no fill here.
The album opens with the churning AC/DC-like Ain't No Hiding Love, which has a familiar Keef-style dirty lick, with a distorted slide overlay. Singing is shared by Kurt Marschke and Marsha Marjieh and the pair kick out good and proper when they next launch into Meet Me Down at Heavy Load, a rollicking, whiskey-soaked Faces-inspired rocker, before rolling into the beautiful If You Want Me To, which could have been an Exile On Main Street out-take. Every track is a gem, but the achingly soulful title track; Queen of the Scene, with driving slide; the raw and scratchy blues of Some Kind of User; and the honky tonkin' You Look Like the Devil urge replay.
Hit the road, windows down and turn up the volume.














